Deadlocked: A Sookie Stackhouse Novel

  Deadlocked: A Sookie Stackhouse Novel

  Sookie Stackhouse [12]

  Charlaine Harris

  Ace Books (2012)

  Rating: ***

  * * *

  It’s vampire politics as usual around the town of Bon Temps, but never before have they hit so close to Sookie’s heart…

  Growing up with telepathic abilities, Sookie Stackhouse realized early on there were things she’d rather not know. And now that she’s an adult, she also realizes that some things she knows about, she’d rather not see—like Eric Northman feeding off another woman. A younger one.

  There’s a thing or two she’d like to say about that, but she has to keep quiet—Felipe de Castro, the Vampire King of Louisiana (and Arkansas and Nevada), is in town. It’s the worst possible time for a human body to show up in Eric’s front yard—especially the body of the woman whose blood he just drank.

  Now, it’s up to Sookie and Bill, the official Area Five investigator, to solve the murder. Sookie thinks that, at least this time, the dead girl’s fate has nothing to do with her. But she is wrong. She has an enemy, one far more devious than she would ever suspect, who’s set out to make Sookie’s world come crashing down.

  Amazon.com Review

  A conversation with Charlaine Harris, best-selling author of Deadlocked, and Laurell K. Hamilton, best-selling author of Kiss the Dead

  Question: Did you ever imagine that your series would run as long as it has?

  Charlaine Harris: I was just glad to sell the first book. It took two years of my agent sending it out to get a bite. I never even dreamed that Sookie would be so popular, that I would find so much to say about her and her world.

  Laurell K. Hamilton: No. I had over two hundred rejections for the first Anita Blake novel. They were the nicest rejections, with editors suggesting other publishing houses to send it to, but they, themselves, couldn't figure out how to market it. When I got that first three book contract, I remember thinking, "Well, at least I'll get to write three of them." I actually did think I had at least ten books in Anita and her world, but I don't think anyone can plan to write twenty-one novels in a series and still be excited about starting the twenty-second.

  Did you ever dream paranormal would be this hot?

  LKH: I remember being told that mixed genre didn't sell, before the term paranormal became a genre. I was also told that no one wanted to read about vampires. More than one editor told me that particular monster was dead and gone. I thought there was life left in the old legends, but I never saw this level of popularity coming.

  CH: Yes, even my agent didn't expect Dead Until Dark would be an easy sell, maybe especially since my books contained a lot of humor. Vampires were passé, and books that crossed genres (Except for yours: I think you had three or four books out when I wrote the first Sookie, and I was so glad to discover them!) were called "unshelvable.’ I could never have anticipated shelves and shelves of cross-genre books.

  Does fan response play a part in your planning process?

  CH: Not in the sense of changing plot direction in my novels. This is my story to tell, and I have to write it the way I see it. But every now and then when reader response to a character is unexpectedly enthusiastic--or the opposite--I'll take a second look at that character to see why he/she is coming across in a way I didn't expect or anticipate.

  LKH: I don't change plot direction for fan reaction either. My story, my world, my books, my stuff, my way. The only people who can change the direction of my novels are my characters. It's their life, after all, so if they're really insistent on a different plot, then they win. I agree that reader response to a character can make me puzzle over them more, but it doesn't usually change how often the character is on stage, or how big their role is, because weirdly if the fans are interested, then I'm already intrigued. Best example is Edward who started out as this cold blooded assassin, almost a bad guy, and now he's one of Anita's best friends, and he's a U. S. Marshal. So, not what I had planned for him.

  Have you ever had a character totally surprise you with their choices?

  LKH: A lot of my characters have minds of their own. Edward went away on his own and got himself engaged to a woman with two children from her first marriage. Edward-- assassin, ex-military, current police officer, taking a six-year-old to ballet lessons with all the other moms both amuses and hurts my head. Anita's love life went into a completely different direction than I'd ever anticipated. I so didn't see Anita dating this many men, or being in love with more than one man, and having everyone she loved okay with that.

  CH: I've discovered some surprising things about my characters as I wrote them. I know that their minds are really my mind, but sometimes it doesn't feel that way. It's like knowing a character has a secret (I'm thinking of Bill), and then suddenly realizing what that secret is. I was genuinely aghast. Sometimes my creative brain thinks a lot faster than my conscious brain. And it's certainly a lot more devious.

  How do you keep a world with paranormal elements credible?

  CH: I anchored my skewed world with real-life elements. Sookie has to pay her bills, she has to do her laundry, and she has family obligations. My vampires buy their clothes at the mall. My werewolf runs a surveying business. One of my fairies works in customer service at a department store. Readers seem to enjoy the fact that no matter what creature you may be, there's a process of surviving that has to be gone through; but there's all these other elements that make that process so different.

  LKH: I make sure any real life facts are as real and well-researched as possible. Because I'm asking people to believe in vampires, wereanimals, and zombies, I need to make sure the guns, cars, and real crime are as realistic as possible. Once a reader catches me wrong in an area where they are expert they won't believe my monsters are real. But I have found if I'm right on the hard facts even experts will let me fudge, or take that next fantastic leap, because I've proven myself by laying the foundation of reality to make my leap into the unknown.

  Do people ever expect you to be your characters?

  LKH: If I had known people would get confused between fiction and fact I'd have made Anita look less like me, but it just never occurred to me that there would be a problem. I've had fans want to know what weapons I'm carrying. They assume all the men are based on real people, and they aren't. I don't actually base characters on real people. Since I can't lighten Anita's hair, I've lightened my own and I get less fan confusion. I've had fans ask for the phone numbers of the men and get angry when I tried to explain I couldn't give them the contact info for a fictional character.

  CH: Ha! Well, I'm much older and rounder than Sookie, so I'm definitely no stand-in for Sookie. In fact, readers who have never met me before are usually astonished when they meet me; so were the actors on True Blood. Some of my readers who came to me after watching True Blood get the characters in the books sort of conflated with the actors who play them on television. In their minds, Alexander Skarsgard IS Eric, Stephen Moyer IS Bill. It can lead to some confusing questions when I'm at signings.

  What scenes in your novels are the most fun for you to write? Action? Sex? Relationship drama?

  CH: All of those are fun, depending on the outcome! But I have to say, I love to write a good fight scene. I find the "relationship" scenes a challenge. When people talk about their relationships, it's a messy conversation. People aren't too articulate about their innermost feelings. And such conversations don't proceed in a linear way, but jag back and forth as each speaker voices the issues that are most important to that person. So it's hard to make sound realistic, coherent, and yet condense such a conversation enough to make it tolerable.

&
nbsp; LKH: It depends on my mood. Sometimes a good fight scene can be very therapeutic, and give a productive outlet for negative emotions. The more people involved in the action the more complex the fight choreography can become, and that can be a challenge, and slow down the emotional content for me. I enjoy doing sex scenes, but they are a different kind of challenge. On a day when I can get in the mood for the scene, they’re great, but on a day when real life interferes, it’s a bit like real sex. It’s hard to concentrate on it when you have too many interruptions from the non-sexy side of your life. I guess that’s true of all writing, though, too many interruptions disrupt the process in general. The biggest challenge for the sex scenes is that sex is a very personal and individual activity, so I have the same girl involved, but different men and I want each man’s style to be unique. Relationship drama? Yuck, can I just say, yuck again? This kind of drama isn’t fun in real life and the only thing that makes fictional relationship drama tolerable is that it’s fictional, and I’m not having to endure it in my real life, but other than that it sucks just as much. It also tends to complicate my life as a writer, because almost nothing screws up a story arc like relationship choices, though I have had action scenes go so differently from what I’d planned that an entire third of a book had to be thrown out. It was a better book for it, but still, near deadline that was hard.

  What’s the hardest thing about writing such a long running series?

  LKH: The beginning of the book is easy, because you always want that to be interesting and lure in both old and new readers. It’s the middle of the book that becomes more complicated. As a writer you always have to think that you may have brand new readers picking up your book, so you have to explain the characters, the world, everything, but you don’t want to over explain to the long time readers. The other problem with a series is that each book needs to stand alone as much as possible, but you also want character growth and world development from novel to novel, so again, it’s a balancing act. I make sure that each opening is different enough that you won’t be left wondering, did I read that already. It’s an issue I’ve had with other series that I read. It gets very challenging when you get in double digits to make everything fresh, but familiar. I’m lucky that I’m still discovering new things about Anita, Jean-Claude, Edward, Nathaniel, everyone, and the world continues to grow and surprise me. My fictional world is like the real one, I never know quite what’s coming next.

  CH: The hardest thing is keeping track of previous developments and details. My memory just wasn't up to it, and I had to hire someone (the fabulous Victoria Koski). When you create a world, there are a thousand small things that make it credible, and it's easier than you'd think to forget whether someone is a werefox or a werelynx, or whether it's still daytime during the narrative or if you've passed into darkness. I think it's important to catch as many little errors as you can, so readers don't get yanked out of the world. I'm not the kind of reader who notices, but there are many readers who do.

  Photo Laurell K. Hamilton © Stefan Hester

  Photo Charlaine Harris © Sigrid Estrada

  Review

  “Harris is a master at taking several paranormal worlds and plunging them into our reality with humor.” *Tulsa World

  “The Sookie Stackhouse series seamlessly mixes sensuality, violence and humor as readers experience the people of small-town Louisiana through Sookie’s eyes.” Boulder Weekly*

  DEADLOCKED

  Ace Books by Charlaine Harris

  The Sookie Stackhouse Novels

  DEAD UNTIL DARK

  LIVING DEAD IN DALLAS

  CLUB DEAD

  DEAD TO THE WORLD

  DEAD AS A DOORNAIL

  DEFINITELY DEAD

  ALL TOGETHER DEAD

  FROM DEAD TO WORSE

  DEAD AND GONE

  DEAD IN THE FAMILY

  DEAD RECKONING

  DEADLOCKED

  A TOUCH OF DEAD: SOOKIE STACKHOUSE,

  THE COMPLETE STORIES

  Ace Books Edited by Charlaine Harris

  THE SOOKIE STACKHOUSE COMPANION

  Ace Anthologies Edited by Charlaine Harris and Toni L. P. Kelner

  MANY BLOODY RETURNS

  WOLFSBANE AND MISTLETOE

  DEATH’S EXCELLENT VACATION

  HOME IMPROVEMENT: UNDEAD EDITION

  Berkley Prime Crime Books by Charlaine Harris

  SWEET AND DEADLY

  A SECRET RAGE

  The Harper Connelly Mysteries

  GRAVE SIGHT

  GRAVE SURPRISE

  AN ICE COLD GRAVE

  GRAVE SECRET

  The Lily Bard Mysteries

  SHAKESPEARE’S LANDLORD

  SHAKESPEARE’S CHAMPION

  SHAKESPEARE’S CHRISTMAS

  SHAKESPEARE’S TROLLOP

  SHAKESPEARE’S COUNSELOR

  The Aurora Teagarden Mysteries

  REAL MURDERS

  A BONE TO PICK

  THREE BEDROOMS, ONE CORPSE

  THE JULIUS HOUSE

  DEAD OVER HEELS

  A FOOL AND HIS HONEY

  LAST SCENE ALIVE

  POPPY DONE TO DEATH

  Berkley Prime Crime Anthologies Edited by Charlaine Harris

  CRIMES BY MOONLIGHT

  DEADLOCKED

  Charlaine Harris

  THE BERKLEY PUBLISHING GROUP

  Published by the Penguin Group

  Penguin Group (USA) Inc.

  375 Hudson Street, New York, New York 10014, USA

  Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.) • Penguin Books Ltd., 80 Strand, London WC2R 0RL, England • Penguin Group Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.) • Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty. Ltd.) • Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi—110 017, India • Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand (a division of Pearson New Zealand Ltd.) • Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

  Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England

  This is an original publication of The Berkley Publishing Group.

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

  Copyright © 2012 by Charlaine Harris, Inc.

  HBO® and True Blood® are service marks of Home Box Office, Inc.

  Text design by Kristin del Rosario.

  All rights reserved.

  No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions.

  ACE and the “A” design are trademarks of Penguin Group (USA) Inc.

  FIRST EDITION: May 2012

  Library of Congress Cataloging-in-Publication Data

  Harris, Charlaine.

  Deadlocked / Charlaine Harris.—First edition.

  pages cm.—(A Sookie Stackhouse novel)

  ISBN: 978-1-101-58071-4

  1. Stackhouse, Sookie (Fictitious character)—Fiction. 2. Vampires—Fiction. 3. Werewolves—Fiction. 4. Magic—Fiction. I. Title.

  PS3558.A6427D45 2012

  813’.54—dc23

  2011053447

  PRINTED IN THE UNITED STATES OF AMERICA

  10 9 8 7 6 5 4 3 2 1

  ALWAYS LEARNING

  PEARSON

  Julia, this is for you.

&nb
sp; I love you, honey.

  ACKNOWLEDGMENTS

  I appreciate the advice and encouragement given by my friends Dana Cameron and Toni L. P. Kelner. I couldn’t do any of this without my husband, Hal. Paula Woldan (bffpaula) has made my life a cakewalk rather than an obstacle course. And heartfelt thanks to my agent, Joshua Bilmes of JABberwocky, who guards the entrance to my cave.

  My sincere gratitude to Stefan Diamante of Body Roxx for his Male Strippers 101 course.

  Table of Contents

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 1

  It was hot as the six shades of Hell even this late in the evening, and I’d had a busy day at work. The last thing I wanted to do was to sit in a crowded bar to watch my cousin get naked. But it was Ladies Only night at Hooligans, we’d planned this excursion for days, and the bar was full of hooting and hollering women determined to have a good time.

  My very pregnant friend Tara sat to my right, and Holly, who worked at Sam Merlotte’s bar like me and Kennedy Keyes, sat on my left. Kennedy and Michele, my brother’s girlfriend, sat on the other side of the table.

  “The Sook-ee,” Kennedy called, and grinned at me. Kennedy had been first runner-up to Miss Louisiana a few years ago, and despite her stint in prison she’d retained her spectacular looks and grooming, including teeth that could blind an oncoming bus.

  “I’m glad you decided to come, Kennedy,” I said. “Danny doesn’t mind?” She’d been waffling the very afternoon before. I’d been sure she’d stay at home.

  “Hey, I want to see some cute guys naked, don’t you?” Kennedy said.

  I glanced around at the other women. “Unless I missed a page, we all get to see guys naked, on a regular basis,” I said. Though I hadn’t been trying to be funny, my friends shrieked with laughter. They were just that giddy.